Seas Uncharted

I swore to keep you all posted regarding the status of the Fantasy series I wrote, so I am honor-bound to report that it got rejected from the first publisher I sent it to. However, that made me realize that we had over-edited it to the point that the organic flow of the tale had been compromised. Therefore I am going over the whole thing once more, for the last time, and will then send it out again until it is published or I am forced to self-publish. In the meantime, watch for the red ship on the horizon.

Remembering Earthsea and The Annals of the Western Shore.

'"Only in silence the word,

Only in dark the light,

Only in dying life:

Bright the hawk's flight

On the empty sky.'

— The Creation of Éa"

In tribute and honor to Ursula K. Le Guin, to whom I owe my own Fantasy series – the one I wrote and recently sent out, for without Earthsea it would never have existed. This statement probably surprises many of friends, and for good reason as I have always been a vocal disciple of J.R.R. Tolkien; for example, on re-reading The Lord of the Rings for likely the tenth time, I posted, “Imagine being able to read your DNA as a piece of literature. Imagine being able to read the root out of which grew many of your basic interests as well as patterns of speech and thought and writing style. Luckily, I do not have to imagine. I can do it.” I do not retract these words at all, but the impact that Le Guin’s Earthsea Cycle had on me was no less great even if it was so subtle I hardly thought of it.

She was one of the best. I remember first reading The Earthsea Cycle in elementary school, hearing Ogion of Re Albi say “To hear, one must be silent.” And I still remembered those words when I took the series up for a second and third time. While the rest of my generation went to Hogwarts with Harry, I (after falling in love with and leaving Tolkien's Middle-earth) traveled by ship to the School of Roke with Ged.

She was the first fantasy author I read who dealt, philosophically, with death and inner balance. "Death and life are the same thing-like the two sides of my hand, the palm and the back. And still the palm and the back are not the same...They can be neither separated, nor mixed." That quote comforted me when my grandparents died. Some say that Rowling was the first master Fantasy author to explore death and have a villain who will burn the world if need be to cheat it. They are wrong; for, long before Voldemort fashioned his horcruxes, the wizard Cob's reckless quest for immortality halted the words of power, tearing a rift between life and death – endangering the living. Long before Harry Potter the Chosen One fought Voldemort, Archmage Ged fought Cob. “You will die. You will not live forever. Nor will any man nor any thing. Nothing is immortal. But only to us is it given to know that we must die. And that is a great gift: the gift of selfhood.”

And Dragons, because no one, but nobody, does Dragons like Ursula K. Le Guin. Because, in the Archipelago, a dragonlord it is not someone with a mastery of dragons but rather one whom the dragons will speak with. "People who deny the existence of dragons are often eaten by dragons. From within."

And I cannot forget The Annals of the Western Shore even if most have never heard of it. It is not Earthsea and is drastically different save in that it is also a quiet yet masterfully written fantasy where the great enemy and greater heroes are ordinary people, most without mystical power and knowledge. Rather, the power lies in the art of story, "To see that your life is a story while you're in the middle of living it may be a help to living it well." It was such a powerful experience walking blind with Orrec Caspro, writing one's way into secret rooms with Memer Galva, and wandering to freedom with Gavir. As acclaimed Fantasy author Jo Walton (writer of The Thessaly Trilogy) once said, they are "like a retelling of an old fairytale."

Finally, she remains one of the few master Fantasists whose primary world and cast of characters are non-White (with the exception of Tenar from the Kargad lands). Indeed, Le Guin has criticized what she describes as the general assumption in fantasy that characters should be White and that the society should resemble the Middle Ages.

"I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for – so that at day's end a family may eat together in a peaceful house?" - Ursula K. Le Guin

“I do not care what comes after; I have seen the dragons on the wind of morning." - Ursula K. Le Guin

Rest in peace, dragonlord. May you dance on the other wind.